My Last Duchess involves the Duke of Ferrara recounting
memories of his last wife and her perceived flaws. He is showing her covered
portrait to a servant who is there to arrange his next marriage.
The Duke is characterised through his obsession with power
and beauty. His obsession with beauty is depicted through the art work that he
is surrounded by and the many references to the physical appearance of the
Duchess such as the ‘half-flush that dies along her throat. However this could
also be interpreted as a confession to killing her, although this isn’t confirmed
in the poem the Duke says several other confusing lines; ‘looking as if she
were alive,’ ‘I gave commands,’ and case builds. The obsession with power comes
across when he believes she is being disrespectful to him and calls on his ‘nine-hundred-years-old
name’ and when he is angry he doesn’t talk to her about it because he would see
that as her ‘stooping’ instead he ‘gives commands’ to stop her smiling at
others. The Duchess however is characterised in her portrait, the idea that she
is ‘looking as if she were alive’ could be a reference to her beauty but could
also related to the way the Duke describes that ‘she liked whate’er she looked
on’ which is why he has to keep her behind ‘the curtain’ and hide the picture.
This connects back to the Duke’s obsession with controlling her by painting her
‘on the wall’ but he can’t stop her ‘looking’ and so has to cover it up.
Browning’s use of voice, typical of a dramatic monologue,
focuses on the Duke and could be reflective of his power and status. While the
Duke suggests that he has no ‘skill in speech’ he is the only voice and the
language, aimed to mimic natural speech, points to a relaxed and confident character.
The Duke is made more powerful through his voice as he is dominant over the
implied auditor, in this case a lower class servant who does not speak. The punctuation
and use of enjambment quickens the pace of the voice to imply a growing anger
towards his wife and to allow the Duke to case build which is another technique
used in dramatic monologues.
The subtitle of the dramatic monologue; ‘Ferrara’ shows that
the poem is set in Italy. This is significant to Browning as the Victorians
were obsessed with foreign places. There is however representations of
Victorian collectivist behaviours in the Duke who has surrounded himself with artwork
from famous artists. The idea that the Duchess is ‘painted on the wall’ was one
of the ways that the Duke tried to control her and the statue of ‘Neptune…
Taming a sea-horse’ also connects to the obsession of power and control.
Caitlin, consider how you could use the rule of three to describe the duke in your (otherwise very good) introductory sentence.
ReplyDeleteParagraph 2 is very good but a mention of Fra Pandolf would be needed as it reflects his obsession with art and with control. The other points you make are very good and dealt with very delicately.
In your third paragraph you MUST include the fact that he uses iambic pentameter, this 'hidden' controlling regularity to his speech can be viewed as a metaphor for the Duke himself and also enables you to demonstrate your advanced understanding of the dramatic monologue. It would also help if you mentioned a few of her perceived flaws.
A really pleasing piece of writing. Well done.